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/media/movies/covers/2024/04/funestto_n6Cwn3c.jpg "Denials: Poster Oficial")
Hopefully learning the lessons of Close Up, the attempt was to construct the discrete form the (seemingly) continuous… so that, mainly retrospectively (yet during viewing) sequences present themselves as fragment-conglomorates. Therefrom might come questions of ‘natural representations’… Filmic assumptions of evidence lacking, desired voyeurist pleasures could be turned into thought. Realism of another kind.
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/media/movies/covers/2024/04/funestto_n6Cwn3c.jpg "Poster 1 de Curta Denials (1985)")
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