/media/movies/covers/2024/04/funestto_n6Cwn3c.jpg "Denials: Poster Oficial")
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Hopefully learning the lessons of Close Up, the attempt was to construct the discrete form the (seemingly) continuous… so that, mainly retrospectively (yet during viewing) sequences present themselves as fragment-conglomorates. Therefrom might come questions of ‘natural representations’… Filmic assumptions of evidence lacking, desired voyeurist pleasures could be turned into thought. Realism of another kind.
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/media/movies/covers/2024/04/funestto_n6Cwn3c.jpg "Poster 1 de Curta Denials (1985)")
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