This film is the most “plastic”, the most “actionist” of Nedjar: it is his In contextus or his Double Labyrinth. Except that here – a single actor filmed in close-up on a plain black background. Nedjar “wiggles” his camera, with Gaël Badaud manipulating a green net or a mirror, wearing a gas mask or covering his head with a red-skinned knit like a bloody balaclava, he inaugurates a search for luminous calligraphies that will soon be shared with Teo Hernandez.– Dominique Noguez
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