Pina Menichelli is the very ideal of the diva in Il Fuoco (Italy, 1915). Introduced only as an illustrious poetess and countess, she steps out of her chauffeured car in a feathered outfit and hat that makes her look like a bird of prey. And she acts that way too when she meets the young artist Mario (Febo Mari), “the unknown painter.” She is inflamed by the power of his commitment and the beauty of his art but love is a very different kind of thing for her, a momentary conflagration of great excitement and heat that quickly burns out. And fire is the appropriate metaphor for a woman whose seduction includes smashing an oil lamp onto a table just to watch the flames burn.