His Oriental predator is at first clothed in black, her ‘victim’ in white; slowly the costumes change, the victim acquiring a veil of mourning, until finally – as if to underline the ambiguity and interchangeability of their respective roles – the colours are reversed altogether. Still more interesting is the way in which, as the game becomes more ambiguous, Dwoskin adds fresh layers of make-up to his characters’ faces, until they become almost caricature masks of their original selves.
Sem anúncios
Aproveite o melhor do Filmow sem interrupções
Já Viu
Amigos (0) | Todos (0)Quer Ver
Amigos (0) | Todos (0)Não Quer Ver
Amigos (0) | Todos (0)Favorito
Amigos (0) | Todos (0)Avaliou
Amigos (0) | Todos (0)Fotos
Todos (0)