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/media/movies/covers/2021/03/funestte_MvQ6IpI.jpg "Chinese Checkers: Poster Oficial")
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His Oriental predator is at first clothed in black, her ‘victim’ in white; slowly the costumes change, the victim acquiring a veil of mourning, until finally – as if to underline the ambiguity and interchangeability of their respective roles – the colours are reversed altogether. Still more interesting is the way in which, as the game becomes more ambiguous, Dwoskin adds fresh layers of make-up to his characters’ faces, until they become almost caricature masks of their original selves.
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