Everything Turns, Everything Revolves

Consiste em uma colagem de imagens de um carnaval de rua em Berlim.

A day at the carnival — sensational tent shows where miracles can be seen for the price of admission, boisterous noise of crowds and barkers, shrill and gaudy circus music, the violence of the street ten-fold. This is the substance of Everything Turns, Richter’s first sound film. At its premier at Baden-Baden Richter got into a fight with two Nazi officials who disliked the films ‘modernism.’ Yet in 1936 it was awarded first prize for artistic merit by the Nazi’s, with Richter’s name suppressed from the credits. He had long since left Germany.