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Sculptures by Miles McKane, 1984-86: ironic simplicity of the acute angle, or how to treat with ambivalence the existing codes - art and nature, matter and form, image and concept. The conical plays with the iconic. Images filmed at the same time by two cameras set to different speeds, restore in a double projection something of this instability, which is expressed just as much on the temporal level, by the succession of seasons and the transformations that accompany it.
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