Enquanto Eisenstein editava tomadas em sequências que formassem movimento e sentido, Kubelka retorna à imagem estática como essência do cinema. O fato de que um filme projetado consiste em 24 frames por segundo como a base de sua arte.
Aproveite o melhor do Filmow sem interrupções
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/media/movies/covers/2019/04/funesto_NDlWY8H.jpg "Poster 1 de Curta Adebar (1957)")
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/media/movies/covers/2019/04/funesto_NDlWY8H.jpg "Adebar: Poster Oficial")
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