The story of Suspense, a one-reel thriller, is a simple one—a tramp threatens a mother and child, while the father races home to their rescue—but the techniques used to tell it are complex. Weber and Smalley employ a dizzying array of formal devices. The approach of an automobile is shown reflected in another car’s side-view mirror. We catch our first glimpse of the menacing burglar from the same angle as the wife does—from directly over him while he glares straight up. Three simultaneous actions are shown, not sequentially but as a triptych within one frame.