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É um cineasta visceral que transita entre a sordidez bruta e a superficialidade. Seus diretores favoritos são Stanley Kubrick, Ingmar Bergman, Pier Paolo Pasolini, Roberto Rossellini, and Abbas Kiarostami, frequentemente considerado um novo Robert Bresson.
Dumont, duas vezes ganhador do Grande Prêmio do Júri em Cannes, (em 1999, por Humanidade, e em 2006 por Flandres) foi premiado com a Câmera de Ouro, em 1997, por A Vida de Jesus, e concorreu ao Leão de Ouro em Veneza com 29 Palms em 2003. É conhecido por seu cinema lento e incisivo, com abordagem frequente da questão da violência.
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