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O anti-cinema por excelência. E ter mexido com seus (des)afetos por não corresponder ao vício inerente da audiência por uma trama coesa e genial era claramente a grande pretensão do filme. Confesse, ele conseguiu, né?
O comentário mais justo para essa obra prima seria possível apenas através de poesia e imagens, algo tão frugal e absurdo que também se esvairia na escuridão.
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Alguém mais aqui lembrou da Master & Slave, do KISS?